09 Feb

Two Recent Radio Interviews

We thought we would share two of our favorite radio interviews we did in the past few months.

The first aired back in November 2013 on WMUK in Kalamazoo, Michigan.  We performed in that area in October and had the chance to come in and talk to Cara Lieurance of the wonderful WMUK show The Pure Drop about Irish influence in the music of Great Lakes region folk singers.  We also played three songs ourselves: “The Jails of Buffalo,” “The Banks of the Little Eau Pleine” and “How We Got Up to the Woods Last Year.”

Click to hear the interview and live studio performance on WMUK 

The second is an interview Brian did on his own this past week with Todd Moe of North Country Public Radio in northern New York. Todd and Brian talked about Brian’s research into the life and music of Michael Cassius Dean and Todd even played a couple clips from the (digitized versions of) wax cylinders made of Dean’s singing in 1924. Not every day that wax cylinders make it on to the radio!

Click to hear Brian Miller’s interview on NCPR (including clips from the lost and found field recordings of Michael Cassius Dean).

17 Nov

Tour Recap

With a final show in Madison, WI last week, Randy and I wrapped up a great string of shows across Minnesota, Wisconsin and Michigan celebrating the release of The Falling of the Pine.  Looking back now, we saw some beautiful parts of the country (can’t wait to get back to the U.P.!).  Here’s the full list:

St. Paul, MN
Hinckley, MN
Moose Lake, MN
Silver Bay, MN
Bemidji, MN
Kelliher, MN
Madison, WI
Green Bay, WI
Calumet, MI
Marquette, MI
Mt. Pleasant, MI
Saginaw, MI
Richland, MI
Kalamazoo, MI

Thanks to everyone that put on the gigs and those that came out to see us!

We have some more travels in the works for winter 2014 and beyond.  Stay tuned!

photo (6)

Richland Community Hall, Richland, MI

04 Jun

Shanty Boy (and the Farmer’s Son)

Shanty Boy_Gordon
As I walked out one evening just as the sun went down,
So carelessly I wandered to a place called Stroner town,
Where I heard two maids conversing as slowly I passed by,
One said she loved her farmer’s son, and the other her shanty boy.

The one that loved her farmer’s son those words I heard her say,
The reason why she loved him, at home with her he’d stay,
He would stay at home all winter, to the woods he would not go,
And when the spring it did come in his grounds he’d plow and sow.

“All for to plow and sow your land,” the other girl did say,
If the crops should prove a failure your debts you couldn’t pay;
If the crops should prove a failure, or the grain market be low,
The sheriff often sells you out to pay the debts you owe.”

“As for the sheriff selling the lot, it does not me alarm,
For there’s no need of going in debt if you are on a good farm;
You make your bread from off the land, need not work through storms and rain,
While your shanty boy works hard each day his family to maintain.”

“I only love my shanty boy who goes out in the fall,
He is both stout and hardy, well fit for every squall;
With pleasure I’ll receive him in the spring when he comes home,
And his money free he will share with me when your farmer’s son has none.”

“Oh, why do you love a shanty boy, to the wild woods he must go,
He is ordered out before daylight to work through rain and snow,
While happy and contented my farmer’s son can lie,
And tell to me some tales of love as the cold winds whistle by.”

“I don’t see why you love a farmer,” the other girl did say,
“The most of them they are so green the cows would eat for hay;
It is easy you may know them whenever they’re in town,
The small boys run up to them saying, ‘Rube, how are you down?’

“For what I have said of your shanty boy I hope you will pardon me,
And from that ignorant mossback I hope to soon get free,
And if ever I get rid of him for a shanty boy I will go,
I will leave him broken hearted his grounds to plow and sow.”

___________________________________________________________
When they met up in Virginia, MN in 1923, singer Michael Cassius Dean told song collector Franz Rickaby that he learned this song while himself working as a “shanty boy” (lumberjack) in Michigan around 1878. “Stronertown,” Dean said, was at the head of the Manistee River, six miles up from Manistee, Michigan. I find a Stronach, MI on modern maps that is likely the spot. The song is often called “The Shanty Boy and the Farmer’s Son” and it appears frequently in song collections made throughout the lumbering regions of the Great Lakes and Maritimes. It even managed the rare trip east across the Atlantic where it was collected in County Antrim by Sam Henry in 1936.

I transcribed the above melody from the 1924 recording of Dean made by Robert Winslow Gordon. Another, slightly different, version was transcribed by Rickaby in 1923 from the singing of Ed “Arkansaw” Springstead in my hometown Bemidji, MN.

This text belongs to a family of similar dialogue songs and poems that date back centuries in England, Scotland and Ireland. Its direct “parent” song may be “I Love My Sailor Boy” which also appears in Dean’s songster The Flying Cloud (my source for the above text). Shanty-boys sang at least a few songs poking fun at sober, boring farmers who, they assured themselves, were sadly lacking in the manly mystique personified by the men chopping down trees and heroically rafting them downriver to the sawmill.

More detailed information on this song from the Traditional Ballad Index