21 Nov

Young Matt Ilan

There was a lord, lived in the north,
He had one fair and comely daughter,
She fell in love with a young man,
He was a servant to her father.
But when the old man came to know,
He swore that he would quit that island,
The lady cries, “My heart will break,
If I must part with young Matt Ilan.”

One night he discussed his lady fair,
All in her silent, lonely chamber,
Saying, “Matt Ilan I’ll transport,
I fear my child she stands in danger.”
His daughter she in ambush lay,
Oppressed with grief, she went off smiling,
Saying, “My father I’ll deceive,
I will protect my young Matt Ilan.”

Then to his room straightway she went,
Desiring him for to awaken,
Saying, “Rise, my love, and go your way,
Or else I fear you will be taken.
This night I heard my father say,
In spite of fate he would transport you,
So go your way before it is day,
You know, my love, that I do adore you.”

She sat her down on his bedside,
For about the space of half an hour,
And every word her true love spoke,
The tears down from her eyes did pour.
Her arms about his neck she threw,
His arms about her waist he twined them,
“No lord nor duke will e’er I wed,
My heart will go with you, Matt Ilan.”

“And must I go away?” he said,
“Just like some poor, forlorn ranger,
And leave my service in distress,
And must I go without my wages?”
“Oh, here are fifty pounds,” she says,
“’Tis more than all my father owed you,
So now away before it is day,
And I wish, my love, I had gone before you.”

Then after this came many an earl,
And many a lord to court this lady,
‘Twas all in vain, it was all no use,
No lord nor earl could gain her favor.
Her father asked the reason why,
At which his daughter plainly told him,
“No lord nor earl will e’er I wed,
My heart has gone with young Matt Ilan.”

Oh, then up speaks her father dear,
“I did not know how dear you loved him,
Now, I will bring young Ilan home,
Since none there are you adore above him.”
A letter then she wrote straightway,
Her heart to him it was inclining,
So, to church away without delay,
And she made a lord of young Matt Ilan.

This month we have a beautiful, unique version from Maine of a song that is well-known in Irish music circles thanks to its popularization in the 1970s. The great Ulster musician, co-founder of The Boys of the Lough and song collector Robin Morton published “Matt Hyland” in his 1970 book Folksongs Sung in Ulster. (Morton, sadly, passed away last month.)  Morton’s source was Sandy McConnell, the father of his soon-to-be bandmate, Fermanagh musician Cathal McConnell. Sandy got it from another Fermanagh singer, Tommy McDermott. Morton observed that the song seemed to only be found in tradition in south Ulster.

As has often been the case in my research, the north woods of North America turn out to have been a place where Ulster songs migrated and survived. Carrie Grover sang the above version for collector Sydney Robertson-Cowell in 1941. Grover, born in Nova Scotia and based for most of her life in Maine, wrote in her book A Heritage of Songs “I have never heard anyone but my father sing this song, and he said he never heard anyone sing it but the man from whom he learned it. It is so long ago that I can’t be sure, but I think the singer was a man from New Brunswick whose name was Davidson.”

The source for my transcription was the audio recording of Grover made available online through the wonderful work of Julie Mainstone Savas on her Carrie Grover Project site (carriegroverproject.com). I recommend listening to the recording for Grover’s effective use of a sort of “in between” pitch at the peak of the opening phrase.

21 Nov

The Irish American Club

From the hills of County Kerry to the shores of Londonderry,
And from Galway Bay to Dublin and their numbers were not small,
Came each youthful boy and maiden, with health and beauty laden,
To uncles, aunts, and cousins who were settled in St. Paul.
We figured then quite clearly, there’d be others coming yearly,
So an Irish club was formed that our legends might survive,
Irish music, dance, and singin’ with mirth the hall was ringin’,
Gaelic football every Sunday we also kept alive.

It was healthy, wholesome living–music, dancing, taking, giving,
We were always looking forward, eager for the next event,
Telephones kept hummin’ about doings’ that were comin’,
We kept the boys and girls feeling happy and content.
Old timers watched us proudly and proclaimed in accents loudly
We were the best they ever saw in any park or hall,
With gestures and with glances they supervised the dances,
While sittin’ on the benches lined up along the wall.

And what with all the dances there was quite a few romances,
The wedding bells kept ringing through the summer and the fall,
And I know the angels blessed them as friends and kin caressed them,
When the ceremonies was over and we gathered at the hall.
There were some we watched them nightly, looking bashful talking quietly,
But a little drop of poteen worked magic I declare,
The shyful blush it vanished, the feeling blue was banished,
And they would exhibit talents we never knew was there.

With the officers commanding our club began expanding,
We did a mighty lot of good in a quiet and humble way,
The mission house was cherished, and the orphan house was nourished,
We shared the joys and sorrows of our people day by day.
But half the pride of living is the heart-felt joy of giving,
Our club has been rewarded with treasures more than gold,
We are known and are respected, and by rich and poor accepted,
And Christian Irish people keep flocking to our fold.

We all feel quite elated at how high our club is rated,
The part that I donated I feel is rather small,
It will always give me pleasure, fond thoughts I’ll always treasure,
Of friendships true and wholesome, cultivated in St. Paul.
We will prove our reputation to our people round the nation,
Let no jealousy or discord within our ranks prevail,
We’ll show our hospitality to every nationality,
And our fame will be re-echoed to the shores of Innisfail.

We bring things home to St. Paul, Minnesota this week for a fascinating local song composed by Irish immigrant Patrick Hill (1900-1980) who came to St. Paul from County Tipperary (by way of Canada) in 1923. Hill was one of the founders of the Twin Cities Irish American Club that was active here from the post-World War II years through the 1980s. He was also a fiddle player and a prolific poet.

The Eoin McKiernan Library, of which I am the director, is working on an exhibition on The Irish American Club. From newspaper research, we know the club held weekly, Saturday night dances at the Midway Club (1931 University Avenue) starting in 1949, moved most events to the Uni-Dale Commercial Club at 345 ½ University Ave. in 1953 and then moved again to Ford Union Hall at 2191 Ford Pkwy in 1962. Their activity seems to have tapered off after the 1960s though they were instrumental in some of the first Irish Festivals organized in the early 1980s.

Hill’s song captures the mission and story of the club quite well—painting a picture of Irish immigration in the post-war period that matches well with accounts I have read from Boston and other American cities.

If you or someone you know has knowledge or photos of the Irish American Club, please contact me (Brian Miller) at 651-245-3719 or library@celticjunction.org

21 Nov

Learning McFadden to Waltz

Clarence McFadden he wanted to waltz,
But his feet were not gaited that way,
So he saw a professor and stated his case,
And said he was willing to pay;
The professor looked down in alarm at his feet,
And he viewed their enormous expanse,
So he tucked on a five to his regular price,
For learning McFadden to dance.

One, two, three, just balance like me,
You’re quite a fairy, but you have your faults,
While your left foot is lazy, your right foot is crazy,
Now don’t be unaisy, I’ll learn you to waltz.


He took out McFadden before the whole class,
And he showed him the step once or twice,
But McFadden’s two feet they got tied in a knot,
Sure he thought he was standing on ice;
At last he got loose and struck out with a will,
Never looking behind or before,
But his head got so dizzy, he fell on his face,
And chewed all the wax off the floor.

When Clarence had practiced the step for awhile,
Sure, he thought he had got it down fine,
He went to a girl and asked her to dance,
And he wheeled her out into line;
He walked on her feet and he fractured her toes,
And vowed that her movements were false,
Poor girl went around for two weeks on a crutch,
For learning McFadden to waltz.

McFadden soon got the step into his head,
But it would not go into his feet,
He hummed “Maggie Murphy” from morning to night,
And he counted his steps on the street;
One night he went home to his room to retire,
After painting the town a bright red,
He dreamed he was waltzing and let out his leg,
And kicked the footboards off the bed.

Song collector Margaret MacArthur extended the amazing work of Helen Flanders with her collecting work in Vermont in the 1960s. I came upon this Irish music hall gem in amongst the digitized MacArthur recordings available through the Vermont Folklife Center. She recorded it from Winfred Landman of Brattleboro in 1963. Another more complete version (without its melody) appears in Ballads and Songs of Southern Michigan from the singing of Mrs. John Lambertson of Belding, Michigan just northeast of Grand Rapids who sang it for collectors Gardner and Chickering in 1931.

The earliest printing of the music hall original from 1890 lists M.F. Carey as its composer and is viewable online through the New York Public Library digital collection. In addition to entering into folk tradition, the song was recorded by several artists and was even sung by child star Shirley Temple in the 1939 film Susannah and the Mounties as she tries to teach a mountie to dance with a book balanced on his head!

My transcription above is a blend of the Lambertson text, the original song sheet and a rousing recording of Irish entertainer Patrick Kavanagh (no relation to the author?) who recorded it on a 78rpm record in the 30s.