22 Nov

The Gallant Brigantine

As I rode ashore last Sunday from my gallant brigantine,
In the island of Jamaica where I have lately been,
And carelessly I wandered, not caring where I went,
And toward a rich plantation my steps I slowly bent.

And the orange trees decorate the field with green and yellow buds,
And occasionally my mind is filled with melancholy thoughts,
That when I get tired of rambling I would sit me down and rest,
And I was thinking of the little ones at home, the land that I love best

Now my parents live in harmony, they are laboring at their ease,
But I am doing my foolishness to plough the raging seas,
And I am doing my foolishness to ramble night and day,
Now I’ll sing a song of old Ireland for to drive dull care away.

And when my song was at an end, I was a-feeling at my ease
I arose to pick some oranges that grew upon the trees,
And there a female form I spied that filled me with delight,
She wore the robes of innocence, her dress was snowy white.

Her dress was snowy white, my boys, bound round and trimmed with green,
And a silken scarf around her neck her shoulders for to screen,
Her hair hung o’er her shoulders as black as any sloes,
And her rolling eye attracted me, her cheeks were like the rose.

I modestly saluted her saying, “Good morning, my pretty fair maid,”
And with a kind reception, “Good morning sir,” she said,
I told her I was a sailor that lately came from sea,
And that I belonged to that brigantine that laid anchored in the Bay.

And we both got down together and we chatted for a while,
And I told her many a hard old yarn which caused her for to smile,
But when I arose to leave her, she gave me this address,
“You call in and see my husband, he will treat you to the best.”

Then I was kindly introduced to a noble-looking man,
Who kindly saluted me and took me by the hand,
And the wine was on the table and the dinner was served up soon,
And we all sat down together, spent a jovial afternoon.

The “Old Songs That Men Have Sung” column that ran in the October 20, 1922 issue of the pulp magazine Adventure (pictured) included the following request sent in by one of the column’s many avid readers:

Michael Dean (the same Irish-Minnesotan featured often in this column) was one of hundreds of American and Canadian readers of “Old Songs” who sang and pursued traditional folksongs with the help of the far-flung community of singers and amateur collectors brought together by the column and its enthusiastic editors. Dean corresponded by letter with “Old Songs” editors Robert Frothingham and Robert Winslow Gordon as well as other “Old Songs” readers and contributors (the column ran song texts sent in by readers responding to published requests). In addition to published requests and contributions, Dean swapped songs with these people directly by mail. It was this correspondence that ultimately led to Gordon travelling by train with his wax cylinder recording machine to record Dean’s singing in 1924.

We do not know if Dean ever tracked down a complete version of “The Gallant Brigantine” (he did manage to get a version of “Paul Jones, the Privateer” and sing it for collector Franz Rickaby the following summer). The version above is transcribed primarily from Alan Lomax’s 1938 recording of Beaver Island, Michigan singer Johnny W. Green with a few tweaks inspired by other versions found in the Canadian Maritimes. It is a peculiar song with an almost punchline-like ending. Not the typical conclusion to a story like this!

20 Nov

Sweet Mary Jane

My true love’s name was Mary Jane,
Her epitaph reveals the same,
Her grace and charm I will proclaim,
Through all my days moreover,
Where could you find a fairer dame,
And search this wide world over.

“My love and I we did agree,
That when I would return from sea,
We’d go straightway and married be,
And live a life of leisure,
No more to face the stormy sea,
In quest of gold and treasure.

“But I had not gone across the main,
When cruel death had my companion slain,
The pride and beauty of the plain,
In her cold grave lay moldering,
And our fond plan was all in vain,
Amid the ruins smoldering.

“I am distressed what shall I do,
I’ll roam this wide world through and through,
I’ll sigh and sing for sake of you,
My days I’ll spend in mourning,
And in my dreams I’ll wander through,
The lane that knows no turning.

A sad and beautiful song this month that was collected from several singers in eastern Canada and that was also in the repertoire of Minnesota singer Michael Dean. In most Canadian versions, the lost lover’s name is “Phoebe” (or “Bright Phoebe”). In Maine, singer Carrie Grover learned it as “Sweet Caroline” while in Minnesota, Dean sang “Mary Jane” and printed it as “Sweet Mary Jane” in his 1922 songster The Flying Cloud.

The above melody is my best effort to transcribe the richly ornamented version sung by New Brunswick singer Angelo Dornan. We do not know what melody Dean used but most collected melodies, including Dornan’s, show a resemblance to the famous “Greensleeves” melody. Dornan’s striking twists and turns make his air refreshingly unique. For text, I subbed in Dean’s first line and made a couple small changes of my own but otherwise stayed close to Dornan’s version including its unique six-line poetic structure (most other versions have four-line stanzas). Dornan sang two additional verses to what appears here and a transcription of his full version appears in Helen Creighton’s Maritime Folk Songs.

11 May

The Boy of Love

The boy in love without no fear like me some time ago
Like a hero bold through frost and cold to see my love I’d go
But the moon shone bright to give me light along my dreary way,
Until I arrived at my true love’s gate where all my fancy lay.

When I arrive at my true love’s gate, my step being soft and low,
She will arise and let me in, so softly I will go,
Saying, “Will you come to my father’s house?” “No dear, but come to your own,
Come with me, love, to the Parson’s and there we’ll be made one.”

“Oh no, oh no kind sir,” said she, “for prudence would not agree,”
“Well, then, sit down along by my side, for I must talk with thee,
For seven long years I have courted you against your parents’ will,
I was always resolved you would be my bride, but now, pretty girl, farewell.

“My ship lies in the harbor all ready to set sail,
And if the wind is from the East we’ll have a favoring gale,
And when I reach Columbia’s shore it is often I will say,
May the Lord above protect my love where all my fancy lay.

We return again this month to another fine Irish song from the repertoire of Minnesota singer Michael C. Dean. Irish song scholar John Moulden has traced this song, well known today in Ireland as “When a Man’s in Love He Feels No Cold,” back to its original composer: County Antrim schoolmaster Hugh McWilliams. McWilliams included “A Man in Love” in his book Poems and Songs on Various Subjects which was published in 1831 in Antrim.
The song entered folk tradition where, over the next hundred years, it gained some words, lost others and was set to several different melodies. Dean’s “Minnesota version” provides evidence of the furthest distance the song traveled from its source.

Since Dean left us only his text, I based the above melody on the melodies used for two other transatlantic versions collected in Marystown, Newfoundland by Maud Karpeles in 1930 and printed in Folk Songs from Newfoundland.